While I intend to invest in a Machinedrum from Elektron at some point in the (hopefully near) future, at the moment I’m restricted to only the Analog Four for song production.
# I’m traveling so I do not have access to my full studio. Yep, I miss my modular…
Because of this predicament I have been learning a lot about the A4, and I’m getting really impressed by its feature set. Restricting myself like this has also proven to be a very exciting way to work, but that’s for another post.
Anyway, when you are limited in the number of ‘voices’ and instruments at hand, the Sound Locks of the Analog 4 can be a real killer feature. Essentially it allows you to ‘lock’ a sound to a particular step (or ‘trig’ in the Elektron parlance) in the sequencer. Thus you can use just one of the A4 sequencer tracks to play back for example a Bass Drum, Snare and HiHat, instead of using 3 tracks. Make sense?
However, while this works great for synthesizer lead patches and many other types of sounds, I’ve run into an interesting issue with one of the Bass Drum presets.
The following video actually explains it better than I can with words:
Essentially locking the Bass Drum with any other sound on the same track causes the ‘volume’ of the BD to drop sharply as soon as the other sound plays, only to slowly come back up over time. If patch 2 is continuously triggering on the same track the Bass Drum will never return to audible lands. Note that this behavior only occurs with certain kicks.
There is also a thread on the Elektron forum discussing the same phenomenon. Essentially it would appear to related to the filter, and an effect of kicks constructed by self-oscillating it. Here’s a secondary thread that provides more info and a few other angles.
I will continue to research this but if you have run into this problem, found solutions or have any thoughts on plausible causes please share in the comments!