I wiggled the Nyborg 12, here are my thoughts

Introduction

I have slimmed down my workspace by shedding some weight in terms of analog synth gear, but I still have a soft spot for physical knobs and I will always want a solid analog instrument on my desk.

On that note, I looked around for what my next analog synth should be, and there was one that really stood out for me, the Analogue Solutions Nyborg 12. The thing that caught my eyes, besides the well rounded specs, was the fantastic design and form factor. Like something taken straight from the set of a 50s sci-fi movie I pictured it towering on my desk with its LFO led slowly pulsing…

Right??? Yes, awesome indeed!

Still it’s a pricey piece of kit, so I wanted to actually ‘play’ it for a while to get a feel before I pulled the trigger, and here are my initial thoughts after wiggling with it for about 20min in the store.

Impressions

nyborg-12-rightYes, the design is fantastic, including the font and color scheme, size and slight inclination of the font panel.

Ergonomically it’s a great kit to work with. Knobs are large and easy to grip and the placement of the patch points along the top makes it easy to connect to the outside world without cables cluttering up the whole front panel.

(You really wish the Dark Energy from Doepfer would take a cue here…)

The whole unit is also a lot lighter in weight than you might think, which at first had me worried that it would tip over. Turns out the wider base is enough to support it though, and you can flip the front panel over and lay it down flat on your desk if that suits your taste.

Soundwise the filter (SEM style, 12dB, multimode) sounds every bit as nice as you would expect. Friendly, warm and creamy, especially the LP. It does lack some of the biting quality of a Moog style 24dB filter, but that’s not what the Nyborg is trying to deliver. If you want that you want another synth.

The oscillators I found to be very well behaved. Suffering perhaps a little from the same somewhat constrained qualities (a bit tame?) as I often hear in DSI instruments like the Tetra and the Prophet 12. (Yes, I know those use DCOs and not VCOs, but to my ears they sounded similar for some reason.)

The build quality was OK but not as stellar as Analogue Solutions like to tote on their website. Potentiometers felt a bit wobbly and the casing was not 100% sealed in the edges meaning dust could easily find its way in. Could just be that the unit I wiggled had stood in the store for a while and taken some abuse…

Conclusions

front-flatI’m sure there’s an audience for the Nyborg and that in the right hands it can and will sound great, but for me it was not that immediate fit that I had hoped for.

I had a hard time dialling away the metallic cleanliness which I did not expect to find in an all analog instrument like this, and the build quality just didn’t feel as solid as I had wished for.

Still, it’s a fantastic instrument if this is what your looking for, and there’s a good chance me and the Nyborg might meet again. Perhaps then the stars will align and it could be the beginning of a long and beautiful friendship…


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New (and simpler) home studio layout

I’ve written before about how I was planning on simplifying and cleaning up my work space at home. Since I got back from Japan I’ve been busy moving stuff around and putting away the gear that I don’t use that often, or couldn’t comfortable and easily get to in the small space I occupy in our apartment.

The result is actually very relieving. It seems like for every kilo of gear that I move out of the way, my inspiration keeps increasing and I find it easier to just sit down and start working on ideas again.

Not saying that I have no use or love for the gear, but seeing it all around me and not being able to make full use of it because it would require moving furniture and re-route cables was actually are real downer for the creativity. Can’t wait for the day when I have enough space to set everything up properly. Until then I will bring the stuff out as needed…

Below is a picture of the new and simpler setup…

Studiospace

Japan Shopping #3 – Logicool K480

I’ve had my eyes on this keyboard for some time since I wanted a better input method for my iPad. The K480 is great as it let’s you pair up to 3 devices, which means I can have it ‘connected’ to my iPad, my iPhone and my Mac at the same time.

IMG_2700

An added benefit of purchasing it here in Japan is that I also got the Japanese keyboard arrangement.

The only downside I see after using it for a couple of days is that the iDevices wont respond to arrow key strokes outside of input fields, which means you can’t scroll webpages or the home screen. I minor problem perhaps but still a bit annoying.

Best Monitor for Audio Production?

I’m using an iMac in target display mode with my new Mac Pro, but the idea is to sell the old iMac and get a new monitor. The open question is, which one?

At first I had my mind set on one of the cheaper 28 inch 4k monitors that Dell, Samsung (U28D590DS) and Asus (PB287Q) have released this year, but the reviews are mixed and its really hard to get a feel for where they cut corners to get the price down.

So I started looking at 27 inch QHD displays like the Dell UltraSharp U2715H and the NEC MultiSync EA274WMI, but they are clearly made more for business users and are often more expensive than the 4k displays mentioned above.

In the end it seems to come down to either a cheaper 4k display with a TN panel, or a more expensive QHD monitor with a better IPS panel. The price difference isn’t that big, and looking at refresh rates and other attributes both options look good enough for audio production work.

What are your thoughts? Which one would you go for? At the moment I’m leaning towards the Asus PB287Q…

Mac Pro

The main computer in my home studie is an iMac that I bought back in mid 2011. It has served me really well and is actually still holding its ground on simple tasks like browsing and emailing.

Screen Shot 2014-12-20 at 23.07.35However, trouble started about a year ago when I decided to upgrade my software catalog (mainly Maschine and Live) and also to try out Cubase and Logic. Turns out that my old iMac was not up to par anymore and could no longer handle much of the new software I tried to run on it.

Since then my productivity has actually been pretty low since Live and Maschine kept crashing due to memory and CPU not keeping up, and Logic kept dying since the disk was not fast enough.

Tired of dealing with this I decided to buy a new Mac, and given that I expect this types of investment to last for a while, I aimed high and pulled the trigger on a pimped out Mac Pro. It’s not top of the line, but I got the 6 core, 16GB, 512Gb version.

Hopefully this will keep up with developments over the next 3-4 years at least.

What are your thoughts on the new Mac Pro? Have you made the jump? Are you thinking about it? Leave a comment and let’s discuss.