New Song (Cumulus 2 – The Bridge)

Part two in the tentatively named Cumulus series. Based entirely on the modular synth, with the exception of the kick drum. This track continues to explore the theme of sound textures started with the Cumulus 1, but this time with a higher tempo.

The track was recorded in 3 different layers, with no sequencing or MIDI. The clock came from Pamela ;-). The Morphing Terrarium was used as the primary sound source, except for some guest play from time to time by the Bubblesound VCOs. Only reverb was added as an effect while mixing the 3 layers. There are no other computer generated effects.

Of course, all 3 layers where recorded as 3 continues ‘live’ recordings, each track ‘over dubbing’ the previous ones.

Hope you like it!

New Song (16 Bit Police Car)

Imagine if you will a 16 bit police car speeding through a sketchy 2d neighborhood…
I wasn’t really going for it at the outset, but this track soon took of in the direction of old game music some how…

I decided to take a break from the modular stuff and spend some time with Maschine again. This track was made entirely with soft synths from Arturia and percussion samples from Maschine.

Hope you like it, it’s a bit corny but I had a lot of fun making it :)
Now back to patching…

New Song (Cumulus 1 – The Engine Room)

This is a track made entirely with my modular setup. There is no external sequencing or MIDI involved, but some effects like reverb and echo were added through Ableton during recording. Other effects, like the distortion you hear on some sounds, came from patched in guitar stomp boxes.

Each ‘layer’ was recorded separately with a XAOC Moskwa sequencer providing the clock.

New Video (Cumulus 1 [WIP])

The starting point of a track made entirely with my modular rack. No MIDI or external sequencing but reverb was added while recording through Ableton Live.

The track is still being worked on so this video only shows the first version. I’ll continuously post videos as parts are added, and that way you can see how the track builds up.

In essence what you hear is built up by an XAOC Moskwa sequencer modulating a Pittsburgh filter cutoff that filters a set of 3 separately tuned Bubblesound VCOb oscillators.

A Pittsburgh mixer is manually manipulated to change the mix of the three oscillators, and the resonance, QVC and cutoff of the filter is also manually tweaked during the course of the track.

The Attack and Release of the envelope (of which there is only 1 (TipTop Z4000)) is set randomly and gated by the Moskwa, and there is a slew limiter (Doepfer a-170) patched in between one of the oscillators, and the random voltage of the Release of the envelope.

New Song (The Mystery Club)

This is an Electro inspired track that I’ve been doodling with lately. It’s not really Electro in the stricter sense, but somewhere in the border lands between Electro , Pop and some kind of Daft Punk-envy?

Most of the sounds are custom Massive patches, including the percussion which is a mix of Maschine expansion samples and some layered Massive patches…

Anyways, I hope you like this slightly different excursion from the usual Glitzerstrahl sound… (if there is such a sound yet?) :D