Cumulus 2, The Start…

Now that I’ve gotten most of my gear in place I’ve slowly started to work on material for the next Cumulus compilation. The track below is a sketch, not yet complete but I thought I’d share the working versions along the way. Have a listen if  your interested.

The track was made in one take entirely on my modular system. Live 9.1 was used as a recording device only.

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Custom Studio Furniture (Free Sketchup Plan)

Since I moved back to Sweden It’s taken quite a while to get all the gear back up, but now  it’s finally in place and all plugged in. One of my goals was to improve my desk space to get better access to my rack units.

Buying a ready made studio desk is both expensive and boring so I decided to ‘build’ my own instead. This would also provide the most compact solution.

I started with an Ikea desk called Galant. You can go for either the corner or straight type. I choose the straight (160 x 80 cm) for space saving. On top of this I put two custom built 6U racks made in solid oak to match the surface of the desk.

I left just enough space between them to fit my 27″ iMac, which I suspended from a monitor arm. The idea was to fit a slanting shelf in front of it to hold my Maschine and some other handy gadgets. You may notice that the desk is 5-10cm too short to fit both racks and the mac, but that’s ok. Hopefully I can upgrade to a bigger space at some point, or get a Mac Pro and a 24″ monitor… :P

Check out the results below, and download the Sketchup file if you want to build your own rack.

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Dropbox link to Sketchup file: https://www.dropbox.com/s/din4o7j6icwj88k/6USlantedRack.zip

(Disclaimer: I’m not a carpenter so use the Sketchup drawing at your own risk…)

Reassembling the studio Part 1

As I’m nearing the end of the mountain of boxes that filled our new apartment after the move I’m finally starting to get my gear back up as well.

I’m having a desk and some racks custom built for me to maximise the space, and while waiting for that to come around I’ve begun to pull cables and rack up some auxiliary gear like patch bays and MIDI interfaces.

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I’ve always been a great fan of proper cabling and it feels good to take the extra time to get it right :).

More pictures and info to follow!

2013 Mini Synth RoundUp

This is a follow up to my previous post where I was wining about not having a proper keyboard to play.

This weekend I was at one of the local synth stores in Stockholm (4sound) messing around with some of the smaller synths (BassStation 2, MS-20 Mini, MiniBrute, Sub Phatty) that have entered the market recently. Smaller in footprint but not in sound. I thought I’d collect some of my thoughts on them, but this is not a comparison in anyway. Remember, they are different instruments with different character so comparing them would be unfair and pointless.

Novation BassStation 2

Base-Station-II-elevated-rear-3quartersNovation’s reincarnation of the classic BassStation. Very intuitive panel with lots of hands-on goodness. The keybed felt sturdy and nice, with just the expected action for a smaller, somewhat cheaper synth. During the 15 minutes I played around with it I found it really easy to get lost (in a good way) in tweaking a sound to go all the way from a subby bass to a crunchy lead.

I have to say the sonic palette was really impressive, and I would not write this one off as just a Bass synth. Compared to the Moog Minitaur, which I feel is an amazing, great sounding, creamy and fat one-trick-pony, the BassStation 2 might not have that warm, Moogy sound but who cares? It’s not a Moog, instead it’s much more versatile, hands-on and fun.

The Acid filter is an obvious (and great) nod to the X0X machines of the 80s and 90s where you can easily dial in great, classic acid techno sounds. In fact, it felt like the machine was quietly beckoning me to do just that. ‘I know it’s cheesy but admit it, that’s what you want me to sound like…’ Or perhaps that was just in my head… The signal path also contains an overdrive stage where you can really fatten it up and add plenty of dirt.

Thumbs up for this one, especially if you want a dedicated Bass synth, but really for any classic techno sound!

Korg MS-20 Mini

Such a difficult instrument to approach. I’ve dreamt of owning an MS-20 ever since I discovered that all my favourite sounds in the Arturia library came from their MS-20 emulation. Now that I’m standing face to face with one that’s actually within reach it feels so strange that it’s not 100% the ‘real’ thing. I know it’s almost exactly the same components, but I kind of want to find some problem with it to give me an excuse to get the vintage one.. Silly, I know…

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Anyways, the MS-20 Mini is simply put a blast to play. While the keys feel a bit flimsy and the knobs have quite a lot of wiggle to them, the patch bay felt sturdy and extremely inviting.

With my modular background I immediately felt at home and within just a few minutes I was able to patch bells, drones and straight out weird noises. (Yes, the filter is fantastic!)

The layout of the panel is very easy to understand, and since everything is given plenty of on-panel explanation I think this would be a fantastic beginner synth that’s both easy to get in to and extremely deep thanks to it’s semi-modular nature.

Thumbs up on this one too, especially if you are looking for your first analog synth.

Moog Sub Phatty

I have a Little Phatty Stage 2 in the studio, and I’ve always felt it’s like a Rolls Royce of synthesisers. Not necessarily the most exciting synth, or the most innovative, but very well built (despite it’s plastic front panel) and with a very reliable sound and character. For some reason I alway use it either as a Bass synth, or in combination with delay, reverb and distortion pedals. I feel like it lacks just that little extra spice to make it interesting as a Lead synth.

Sub-Phatty1wht-e1369738309637Not so with the Sub Phatty. In fact if it was my only chance of owning it I would trade my Little for a Sub any day. The new panel layout is an order of magnitude easier to get around and much better for live tweaking and performance. The oscillator section (with the sub osc), dedicated noise knob, the separation of the amp and filter envelope sections and the overdrive all combine to make this an excellent instrument for sound creation and live playing.

Some might say that the 2 vs 3 octave keyboard is thing to consider, but I disagree. I have no problem dribbling the octave up and down buttons when necessary and I actually think the smaller foot print is a big plus.

Of all the synths I played with this day I have to say the Sub Phatty was the most fun, and I found myself seriously considering buying one.

If you own a synth or two but you want to add that classic Moog sound, albeit in an updated and in my opinion more interesting incarnation, the Sub Phatty is a no-brainer.

Arturia MiniBrute

I have a complicated relationship with Arturia. I love their software emulations and the presets they bundle, but the quality of their hardware has never impressed me. I find this interesting since many reviewers of both their MIDI controllers and synths give them praise for great build quality.

The gear I’ve owned (2 Analog Factory boards, a MiniLab and the Spark Drum machine) have all broken down in one way or the other. That said, their prices are very competitive and the software is ace…

Minibrute

So is the MiniBrute any different? Yes and no. Yes, the build quality of the chassis and keybed feels reassuring compared to their MIDI controllers, but the the knobs and faders feel like they would easily break or get cranky if you get too excited during a live session.

The MiniBrute has one of the most interesting oscillator sections I’ve ever seen, essentially allowing you to mix 3 waveforms, noise, a sub oscillator and an external audio input in a 6 channel mixer. What’s really interesting though is that the waveforms are all generated from a single oscillator. Add to this waves haping capabilities on each wave and the famed ‘Brute Factor’ and you’re in for a ride.

Yes, the MiniBrute lives up to it’s name. I found it to be gritty, dirty, growling and just awesome in sound character. Very disrespectful of any fancy Moog smelling classical synth lead sounds, instead just begging you to steal it and start a punk band. My only fear is that the knobs, keys and faders might fall off before you make it to the first gig…

In summary, definitely a unique and fun sounding synth, and if I found a used and functioning one for a good price I would probably buy it. Is it a must-have? No, I would save the cash for the MicroBrute slated to be released on November 1st.

Keyboard Abstinence…

It’s now been almost 3 months since I packed up all my gear and left San Francisco. Since then my entire studio has been placed in custom wooden boxes, stuffed in a container, placed on a ship, crossed the atlantic and is now sitting in a harbor somewhere along the Swedish coast.

I knew I would be away from my gear for a long time which is why I put together my portable little setup (more here), but I did not foresee how much I would miss having access to my modular and my keyboards.

I packed an LPK25 but I just don’t gel with it, also the build quality is poor and the thing is already starting to fail on me. To replace it I’ve been fiddling with the laptop keyboard and the built in Analog Four keys, but It’s going to be at least another 45 days before my studio is back up, and as a result I’ve started to long for a good key bed.

I’m really tempted to grab one of the new, interesting ‘mini-synths’ like a BassStation 2, a MiniBrute or an MS-20 Mini, and with Arturia announcing the MicroBrute the availability of portable, analog, mono synths have never been better! While not the cheapest option it would add a lot of extra value over a Midi controller.

On the other had I’m also curious about the new KeyLab series from Arturia. While dependent on a computer to run the KeyLab software, the quality of the Arturia emulations are just killer.

What’s your portable keyboard solution? Computer and MIDI controller or an actual synth?